The deconstruction of a commissioned work yields great variety to be explored through endless compulsive arrangement and rearrangement, typical of the generative technique. The work presents a parody of explosive individuality and identity as the awakening of a collective self. This is the ultimate style-guide to the human condition. Or the possibility of arriving at a composite self through artificial assembly (and generative technique), their arbitrary or compulsive arrangement. One could argue that the arrangement is not arbitrary since the faint visage of a face is held as thematic, and the result is therefore necessarily figurative.